As promised in a previous post, I gather a number of years now on track for spring training, almost all of them to work the speed or resistance speed.
concepts in a game they work and other work is a simply a physical, which is so important at this time where teams start to work and to mark the passing of the season.
These exercises have used for several seasons with very good results and this year I returned to them and are giving acceptable result again with the senior team.
"FOUND ON SOME RUINS" (The drizzle books), PAUL LOPEZ CARBALLO
The words have something of tectonic movement contagious able to blow it-that-was-there. This could be the lesson to be learned from the first book of Pablo Lopez Carballo entitled, appropriately, on ruins found. Because, what are these ruins with which the poet finds himself or for which the poet presents to us? First we could say that it is the language. The poetic construction process presents the following: the acceptance speech of ruin, a ruin that is not end of anything but a starting point. This ruin of language is not the destruction of meaning, but the search for meaning forever unattainable. We could say that this idea of \u200b\u200bthe narrator recovers John Cheever who regarded the destruction as the starting point of imagination. However, destruction, ruin, we find in this book has nothing to do with a useless aesthetic nihilism nor a maudlin melancholy of loss. On the contrary, these ruins are always probing. Hence, if the language is doomed from the Building, this language is tied neatly with a look able to see again. The act of looking, searching tirelessly, would be one of the main characters of the book. "Pretext eye" is the title the first section of the book. The eye is perceived and sensed the reality before giving a rational closed. The eye as an animal that is undergoing only his instincts. Thus we see in verses such as "Looking into the poem / to trip that is vertical or almost." This was an old romantic claim: see for the first time with the child's eyes. However, the innocence of this claim is no longer acceptable. It is not possible or advisable to return to the Adamic. Theirs, however, is a stained romance reality of pretexts. Interestingly comes to names like Wallace Stevens and his poem "American Sublime." Stevens was a master of reinvention of romance. Wallace Stevens wrote: "The romantic poet today is someone who lives in an ivory tower, but this tower has "a remarkable view to landfills and neon signs of the Salsas Snider, of Ivory Soap and Chevrolet cars, is a hermit who lives alone in the company of the sun and stars, but claims that serve the newspaper infectious ". So the poet is not enclosed in the eye but, as drawn in the second section, "The Ice", the landscape and the possibility of full abstraction are the protagonists. Look out. In this second section of the eye, the eye as a hunting tool exits. The third section, "Current" as if it were a dialectical process, we put back into the orbit of the eye. It would as a boomerang effect. But the return trip has transformed the viewing subject. Thus, the poem that opens the third section reads: "Looking at yourself again create / unknown to the outside / in apparent start / continue to leave out / re-enter to receive the wind / change skin and eyes / a different color other wilderness / track, and the deserts are born. " Could read this book by Pablo Lopez Carballo as a travel book, where we do not find stories, but inquiries about the look and construction of reality through language. And, of course, language as protagonist forces the poet to establish a different dialogue with him, trying to find in each poem that boundary between words and hide. A book full of findings from a delightful ragtime, situations where the language is moving like an eye but not to reproduce what you see but to draw the very act of looking.
second chapter of this section started a few days ago, this time a player who has been for his country, France, and moving at positions 2 and 3, preferably the latter.
enviable
Physically, he is able to defend any perimeter player, costing more escorts very fast, when they are in football.
In attack it is a player who knows how to use his physical strength on the counter and insights that are played in 5v5. Good rebounder and a capacity for shooting has been improving (space is lethal) is a major player in the equipment has been.
His character allows no doubt at times decisive, turning a winning basket in various competitions.
is a player who at first seems to cut defense, but with surprising offensive skills, assuming a secondary role in this aspect of the game.
could talk about cutting a player Carlo Jimenez, a little more prominence in the attack.
start a new paragraph in the blog, videos and "scoutings" on major players in other leagues, such futuristic ACB or even put FEB league players.
Of course I have a more detailed report of all the players that appear on the blog, which I shall gladly welcome anyone who wants, and you could say I earn a little extra to these reports that have come both English and foreign clubs making their templates.
The first is Keydren Clark, a small American base (175-180 cm.) Playing in the Greek league (currently ARIS), which despite its size is able to control the game a so incredible. This base
born in NY and recently completed 26 years, has an incredible shooting ability, strip of 3 with a ease after boat blockades, feet still ... and in relation to its small size has noted the strength to endure in the insights with which is very dangerous.
When playing a lesser team like Egaleo (Greece) was able to maintain a high rate of scoring (51 points in first league game and over 20 on many occasions) currently averages 10.3 points per game undertaking work for unclogging address and his team when necessary. In
defense is capable of supporting players bigger than him, for his strength and despite not having a prodigious legs and base his defense to contain the attack, stealing the odd ball game by reading and posting.
Ultimately I think an interesting player qualified to lead CBA teams mid-table towards play-off places like the Canaries, Lagun Aro .. or teams who want to avoid the drop having a strong role.
The following video, a small piece of its identity and what it can to make this player are isolated from the NCAA moves to the ARIS current team, accompanied by some music to entertain the viewing.
In this post I hang a summary of a teacher's clinic Ettore Messina, discussed this year in Madrid, but I still think the best European coach with Zeljko.
In the article, explains such basic issues as a backdoor or when making a good shot, but what really makes it interesting this little text from my point of view is, as indicide the need to explain this to players and how to communicate these issues.
I think it's an interesting article for our party leadership and teamwork.
will soon add another entry with exercises that will use this spring, actually I think is what matters in this blog.
few weeks ago, Laura Revuelta, ABC art critic, to talk of change for the MUSAC in recent times, and wanting to make an example Proforma project conducted at the institution, stated: " As an example, the project is worth marking this turn of three hundred sixty degrees, Proforma, which occupied its rooms in the first months of this year" (http:// www.abc.es/20100701/cultura/culturalarte-201007011708.html) . How? A three hundred sixty degree rotation? Did he say that MUSAC always does the same thing? Give a 360 º, as usually learn in school, stay one as it was. It is just one example. But in many ways that turn 360 degrees we see every week in the cultural supplements. Say the same thing without saying anything. Back on the same, with the same words. I insist, is just one example. Here's another. Recently (ABC cultural, July 31, 2010, p. 27), again, Laura Revuelta spoke of one of the spaces, just closed, the latest edition of Artesantander, a fair that begins to detach a certain aura of staleness dyeing, as a thick layer of dandruff, earlier editions. The space has spoken Laura Revuleta is curated by another critic, Oscar Alonso Molina, within the fair. titled Storytelling , the critic try stopping a number of projects of different interest. The pieces of Regina Miguel, Anne Lisse Coste, Juan Carlos Bracho, Jesus Zurita, Nati Bermejo, Philipp Fröhlich and Kristoffer Arden. The strange thing is when he talks about the work of the latter (with the gallery Oliva Arauna). His work Walk in My Shoes shows a series of running shoes scattered chaotically on the floor. This is supposedly the shoes with which the artist has pulled miles. " Inside soybeans planted with the desire to flourish. In fact it seems a rather uninteresting work and establish a more vacuous speeches about media quite kitsch. The funny thing is not the work but the assignment of values \u200b\u200blyric by the criticism. He writes: "The lyrics of Kristoffer Arden (this artist is always lyrical discourse catch him hard though he insists on not wanting to tell) is summarized in a lot of shoes with which the artist has pulled miles inside which has planted about soybeans. " Consider the concept of lyricism. Do you lyric and poetry of this piece is that "costs catch you speaking? How so? Moreover, his lyricism, he says, lies in a shoe used as container. That is the poetry and lyricism as criticism. "The lyricism is when one speaks of himself and gives no clues? Too simple and too cheat, I think. Does not have any idea of \u200b\u200bthe work is its lyrical factor? It seems that when art critics do not know what to say of a work or whether this work are some symbols or elements of earthquakes, land, plant, or some mysterious-sounding words (or corny, which is unusual, or tragic or mysterious Celan type) then comes the expression "poetic," "lyrical," as if this shift is filled with some kind of gap both artistically and in the criticism. Or worse, the saving of the work. That is, the absence of concepts seems to affect more and more, both critics and the creation, although in the first the issue is urgent and pathetic and, in some cases.
An entry on a coach that I like very much for your great stuff, shown in all computers that a coach has trained and for which I have special fondness.
This article addresses a fundamental aspect of basketball and we started the blog, as is the game without the ball. A set of rules for players no ball aside, if we do not share all with Luis, will help us create our own and improve our equipment in that area.
Again the teacher, in this case explains how to create variations on the same movement, in this case based on BD.
I think it's an article that makes you think about the real possibilities that we can get the movements we make with our computers if we stop to think for a while.
An article I found the blog of Eduardo Burgos, whose link you can find at the end of the article itself.
greetings to all who enter (one goes through here believe it or not)
As promised in a previous post, I gather a number of years now on track for spring training, almost all of them to work the speed or resistance speed. 
